Spring Training
Sitting along the first base line, the sky is blue heading into dusk.
Beginning to rise above the stadium the orange moon.
White uniforms crisp against the grassy green blades.
Behind me is a man, reminiscent of a World Wrestling Federation defender.
Smooth shaved head, heavy gold chain around neck with pendant of monster truck.
Tanned and excited, a fan of baseball. I wonder what he does for a living.
The man in front follows these up-and-coming players heading to the major leagues.
“Jose Reyes, shortstop, 18,” he says, “he won’t be here long, he’s big dollar guaranteed.”
Hot dogs and french fries, lemonade, and Cracker Jacks all around.
Peanut shells crunch below my sandaled feet. From where they came I do not know.
Hard swings and the sound of the wooden bat. Not out of the park tonight.
The catcher looks so close to the batter. I would hesitate to full out swing.
His throw is hard and fast, the ball smacking hard in the pitcher’s glove.
The men toss statistics over me back and forth.
The information filters down upon my head and I become filled with their love of the game and smile.
The game ends and the lights go dark. Count down 20 to 1. The explosions begin. Boom, boom.
Gold and pink. Purple and blue. Sizzling large green sparks fill the sky. Flowers of fire.
I shrink at the thought of getting burnt, petal embers falling upon my skin.
More flowers. Tiny shocking white ones. Blinding flashes. They appear close. Too close.
Every Friday home game they tell me. I am stunned.
Such beauty and yet it feels so utterly horribly sinful.
They treat so casually as if everyone in the world saw this on a typical casual weekend.
I am sobbing inside for others who will not remember this tomorrow,
for those who will shrug it off and say when asked what they did for the weekend, “nothin’ much”.
- Mary McQueary
How China is Plundering the Natural Resources of Tibet
China is incurring huge expenditure in transferring and consolidating the Chinese population in Tibet. Massive investment has been made to build a network of modern highways all over Tibet. China can also boast of having laid the highest railway track in the world that connects Lhasa with Beijing. In fact, China often complains that its “civilizing” mission in Tibet is costing the government and people of China large amounts in terms of subsidies to an under-developed region. According to official Chinese statistics, the level of annual subsidies to the Tibetan Autonomous Region (TAR) in the late 1980s was around 1 billion yuan or $270 million. However, all the infrastructure that China has built in Tibet has not made the lives of the native Tibetans any better; it has only taken the exploitative apparatuses of the Chinese government deeper.
China’s Ministry of Land and Resources has announced monumental new resource discoveries all across Tibet. The findings are the culmination of a secret 7-year, $44 million survey project, which began in 1999. More than 1,000 researchers were divided into 24 separate groups and fanned out across the Qinghai-Tibet plateau to geologically map the entire Tibetan region. Their findings have lead to a discovery of 16 major new deposits of copper, iron, lead, zinc and other minerals worth an estimated $128 billion. These discoveries add to Tibet’s proven deposits of 126 minerals, with a significant share of the world’s reserves in lithium, chromite, copper, borax, and iron. “Lack of resources has been a bottleneck for the economy,” Meng Xianlai, director of the China Geological Survey, had once complained in his statements. The discoveries in Tibet “will alleviate the mounting resources pressure China is facing.”
Tibet is now said to hold as much as 40 million tons of copper — one third of China’s total, 40 million tons of lead and zinc, and more than a billion tons of high-grade iron. Among the Tibet discoveries is China’s first substantial rich-iron supply. A seam called Nyixung, is alone expected to contain as much as 500 million tons. That’s enough to reduce Chinese iron import by 20 per cent. The new copper reserves are no less substantial. A 250-mile seam of the metal has been found along Tibet’s environmentally sensitive Yarlung Tsangpo Gorge. One mine there, called Yulong, already described as the second-largest reserve in China, is now estimated to hold as much as 18 million tons, according to the government news site Xinhua and could soon become the largest copper mine in the country, helping to feed China’s increasing demand of the metal used for electrical wiring and power generation. China, which until now has imported much of its copper from Chile, is estimated to hold 5.6 per cent of the world’s copper and is its seventh largest producer.
The riches that China expects to extract from Tibet in the near future, perhaps better explains the money that China annually spends on Tibet than the empty claims of modernizing Tibet.
In fact, an official web site of China has itself disclosed that “Once-quiet, northern Tibet has become a scene of bustle and excitement since a number of inland enterprise marched into the region in response to the government call for speeding up the development of western China. Northern Tibet has more than 200 mining areas with 28 kinds of mineral ores, and is rich in oil and hot springs.”
The China National Star Petroleum Corporation and the China National Oil and Gas Exploration and Development Corporation have recently dug up the first oil well in the Lunpola Basin, which has a proven oil reserve of three million tons. This reserve is in addition to the over one million tons of crude oil that Amdo’s oil fields produce per year. Further, the Chinese have opened two alluvial gold mines in Nagqu and built a gem processing plant in Lhasa. Soinam Dorje, an official of the Nagqu Prefecture, has welcomed inland and foreign investors to exploit the gold, oil and antimony resources on the plateau of northern Tibet. This also goes far to explain the need to invest in infrastructure all over Tibet. Apart from its rich mineral wealth, Tibet has many other resources that may provide China the edge in its race to emerge as the world’s richest economy.
The volume of timber that China has taken away from Tibet itself far exceeds the amount that it has spent to build the infrastructural facilities in Tibet. In 1949, Tibet’s ancient forests covered 221,800 sq km. By 1985 they stood at 134,000 sq km — almost half. Most forests grow on steep, isolated slopes in the river valleys of Tibet’s low-lying south-eastern region. The principal types are tropical montane and subtropical montane coniferous forest, with spruce, fir, pine, larch, cypress, birch, and oak among the main species. The tree line varies from 3,800 mt in the region’s moist south to 4,300 mt in the semi-dry north. Tibet’s forests were primarily old growth, with trees over 200 years old predominating. The average stock density is 272 cubic mt/ha, but U-Tsang’s old growth areas reach 2,300 cubic mt/ha — the world’s highest stock density for conifers. Once pristine forests are reached, the most common method of cutting is clear felling, which has led to the denudation of vast hill sides. Timber extraction until 1985 totaled 2,442 million cubic mt, or 40 per cent of the 1949 forest stock, worth $54 billion.
Deforestation is a major source of employment in Tibet: in the Kongpo area of the TAR alone, over 20,000 Chinese soldiers and Tibetan prisoners are involved in tree felling and transportation of timber. In 1949, Ngapa, in Amdo, had 2.20 million hectares of land under forest cover. Its timber reserve then stood at 340 million cubic mt. In the 1980s, it was reduced to 1.17 million hectares, with a timber reserve of only 180 million cubic mt. Similarly, during 30 years, till 1985 China exploited 6.44 million cubic mt of timber from Kanlho Tibetan Autonomous Prefecture. As new roads increasingly penetrate remote areas of Tibet, China is finding new excuses to increase the rate of deforestation in the region.
China’s primary objective of constructing roads in Tibet is to deploy occupying forces like the People’s Liberation Army, along with defence materials, and immigration of Chinese, as well as to exploit the natural resources of Tibet, which are transported primarily to China. Roads may run through most Tibetan villages, but a public transport system is almost non-existent in the majority of rural Tibet. The Chinese modern means of transport do not benefit the majority of Tibetans. Tibetans in most places continue to use horses, mules, yaks, donkeys and sheep as modes of transportation. Thus, the Chinese claim of investing heavily in “civilizing” the Tibetans is one of the most shameless lies that one can perpetuate.
The Tibetan plateau gives birth to some of the longest rivers of the world; The Machu (Huang Ho, or Yellow River), the Tsangpo (Brahmaputra), the Drichu (Yangtze), and the Senge Khabab (Indus). Tibet also has over 2,000 natural lakes spread over a combined area of more than 35,000 sq km, some of which are sacred and play a special role in local culture. Steep slopes and the abundant water of these rivers and lakes make them extremely valuable as sources of hydroelectric power. Tibet has an exploitable hydropower potential of 250,000 megawatts, the highest of any country in the world and the TAR alone has a potential of 200,000 megawatts. China has built some large hydroelectricity projects all over Tibet. These projects are designed to tap Tibet’s hydro potential to provide power and other benefits to the Chinese population and industries both in Tibet and China.
While the Tibetans are displaced from their homes and lands, tens of thousands of Chinese workers are brought up from China to construct and maintain these dams. Take the case of the Yamdrok Yutso hydropower project. The Chinese claim that this project will greatly benefit the Tibetans. The Tibetan people in general, particularly the late Panchen Lama and Ngapo Ngawang Jigme, opposed and effectively delayed its construction for several years. The Chinese, nevertheless, went ahead with the construction and with the help of more than 1,500-strong PLA troops are guarding the construction area and no civilians are allowed near it. But the environmental, human and cultural toll of these hydroelectricity projects will have to be borne by the Tibetans. Tibet also possesses high solar energy potential per unit only after the Sahara, an estimated annual average of 200 kilocalorie/cm, as well as significant geothermal resources. Despite such abundant potential from small, environmentally-benign sources, the Chinese have built huge dams, such as Longyang Xia, and are continuing to do so, such as the hydropower station at Yamdrok Yutso. Tibet is made to play a pivotal role in fulfilling the huge demand for power in China at the cost of its own helpless, poor natives.
Furthermore, Tibet has been made a hub of nuclear facilities. This reduces the radioactive risks that China could suffer if an accident takes place in such installations. Again, since such facilities are located in a colonized region, the Chinese authorities do not take the necessary precautions that are mandatory for such facilities. Official Chinese pronouncements have confirmed the existence in Tibet of the biggest uranium reserves in the world. Apart from Amdo, since 1976 uranium has been mined and processed in the Thewo and Zorge regions of Kham also. According to reports, the uranium mining and processing in Tibet is done with unforgivable callousness. The Ninth Academy, China’s Northwest Nuclear Weapons Research and Design Academy in Tibet’s north-eastern area of Amdo, is reported to have dumped an unknown quantity of radioactive waste on the Tibetan plateau, according to a report released by International Campaign for Tibet, a Washington, D.C.-based organization:
“Waste disposal methods were reported to be casual in the extreme. Initially, waste was put in shallow, unlined landfills… The nature and quantity of radioactive waste generated by the Ninth Academy is still unknown… During the 1960s and 1970s, nuclear waste from the facility was disposed of in a roughshod and haphazard manner. Nuclear waste from the academy would have taken a variety of forms — liquid slurry, as well as solid and gaseous waste. Liquid or solid waste would have been in adjacent land or water sites.”
Given the fact that underground water supplies in Amdo have been diminishing at a rapid rate and usable underground water is very limited, the radioactive contamination of groundwater is of great concern in the region. Many local Tibetans have died after drinking contaminated water near a uranium mine in Ngapa, Amdo. They have also reported deformed birth of humans and animals.
The existence of Chinese nuclear bases and nuclear weapon manufacturing centres in Tibet has been reported from time to time. China is reported to have stationed approximately 90 nuclear warheads in Tibet. The Northwest Nuclear Weapons Research and Design Academy or the Ninth Academy, a secret organization involved in China’s nuclear programme which is also a high security military weapons plant, is based at Dhashu (Chinese: Haiyan) in the Haibei Tibetan Autonomous Prefecture. It was responsible for designing all of China’s nuclear bombs through the mid-70s. It served as a research centre for detonation development, radiochemistry and many other nuclear weapons related activities. It also assembled components of nuclear weapons. Several missile bases are located to the south of Lake Kokonor in Amdo, and Nagchukha. Another nuclear missile site in Tibet is located at Delingha, about 200 km south-east of Larger Tsaidam. It also houses DF-4s, and is the missile regimental headquarters for Amdo, containing four associated launch sites. It has been reported a number of times that China has carried out chemical defence manoeuvres in the high altitude zones of Tibet. There are also reports that China has been conducting nuclear tests in several areas of Tibet in order to determine radiation levels on the human population.
Not only is its economy, China’s military might too is growing because of its colonization of Tibet.
China is exploiting far more from Tibet than what it is giving back. While China is proudly hosting the Olympics with its spectacular stadia and dazzling shows, the future of Tibet is turning gloomier.
- Partha Gangopadhyay
[Quote from Nuclear Tibet, Washington, DC, 1993, p.18]
A Day to Forget, Remembered
For Noel, that long ago April day was one of those days he never wanted to remember. This far away and when he thought he felt relaxed after a nice, short little break from work. Yet, for Noel, the thought lingered till he was able to see the old house he lived in as a child. The two-storied, lime-washed building with common verandahs.
Noel’s father Joseph was a heavy drinker who often got drunk on holidays, turned bitter and angry, beat his mother and created a scene. Suddenly this unhappy April day came to his mind. It came in flash. A flash of light, which when settled, revealed a garden during sunset. A woman and two children are sitting on a bench. All around them people walk, some exercise on the parallel bars nearby. For Noel, who is one of the children, the other his older sister, something is sinking inside him this evening. He breathes in the fresh smell of the grass. He feels the change from the claustrophobic green walls of his house to this freshness and light around. Yet, he feels as though a huge part of himself is not there. In his mind, he can barely see his sister. His mother, who sits between them, is silent, sad and not talking. She is shaken. Noel watches her sad, pale face, the nerves around her neck. He and his sister too are not talking.
Then what sinks inside he realizes this far away are the scenes that took place that day in his home. He would have been sitting on the blue sofa in the drawing room, the other blue one his sister’s, they had decided among themselves. And he sees his father, drunken, lunging at his mother, swaying on his feet and shouting. His mother weeping, pale, on the verge of collapse. The scene had gone on for hours, the shouting, the tears, the trembling. He and his sister were barely able to study that day, at least Noel knew he wasn’t. Book in hand, he had watched the screaming unfold, until his father had got drowsy and had fallen asleep.
Noel was ashamed of his parents. Of his father’s huge paunch, his mother’s aged face. The pain went coursing in his mind, the same scene played again and again.
He remembered how his father had woken up and had probably started to drink again and shout. His mother kneeling before the picture of Christ or maybe made to kneel. Weeping, praying. How she gathered Noel and his sister and fled to the garden. Noel felt pain. He felt it then and saw how it had a way of being with you, how it could rear its head again in a flash. How they were playing out in his mind while he was sitting in the garden. Why the people there strolling about, exercising, did not give him the joy he usually felt. How he saw his father over and over again. The scenes and the sinking. The nauseous smell of alcohol from his father’s mouth. The scenes played over and over in his mind. His father’s lungi coming off and how he quickly tried to tie it back. His face bloated, his eyes and mind senseless.
The scenes played then in the garden as it played now. He wondered what it meant. He knew there was something missing, something gone. What has drowned in me, Noel thought, as he lit a cigarette and waited for an answer.
- Dominic Alapat.
On Friendship
Jane English wrote that friendship should not be a favor-debt situation. When we are friends with someone the exchange, the tit for tat, disappears. In the place of reciprocity, there is mutuality. The never-ending obligation to be there for each other, at least while the friendship lasts.
Too often we forget to see that the person we are intimate with cares for us no matter what, whether or not we give or take. Of course, nobody likes to only give, and if someone is only taking there is something immoral with that also, but to keep an accounting of what we’ve done to others and them to us makes for a short ending to friendships.
The indebtedness we often times feel can come from many different sources; poor self-esteem, ghost thoughts from the past clouding our present day relationships, perhaps even coming from our religious upbringing. Many have the belief we are forever indebted to God for our creation, though Jane English had something interesting to say about parent-child relationships that I think can also be said of our relationship with our Creator (should one choose to believe there is one).
Both debt-favor relationships and friendships share the common element, attention, making the two types difficult to distinguish from each other in certain situations. Within friendships, we give each other love, the forwarding of their well-being over our own, thoughts of the other, and subsequent actions that we take making our relationship a priority. We have friendships because we like another person. And they like us. Love tangles with time and often is seen as the same within the attention element but do not be fooled, it is not the same.
Here’s an example:
I worked for a man named Mac Hackett. He supervised 3 managers. My orders were that Mac came first and foremost. He was priority #1. When he was not in need, I could devote my attention and energies to the other 3 managers. They became priority #2. The employees they oversaw became the 3rd priority.
I was able to manage all of their needs most of the time quite well. Mac was happy, the managers were happy, their people were happy. All their needs were taken care of. Everyone knew where they came on the list of priority, so that when I said to one of the employees that I couldn’t fulfill a request they made of me they knew it was because I was serving the managers‘, or Mac‘s, needs. No squabbles, no begging, no “I can’t believe you won’t help me out here” type of comments. They gave me so much an hour; I made them happy by being their very effective helper. A debt-favor relationship.
Can you see how this scenario could easily happen within personal relationships? Our spouse becomes priority #1, our children priority #2, and our friends priority #3. Our friends come to us and say, “Could I have some of your time?” and we reply by saying, “I can’t right now”. They are understanding that we have spouses or children that have needs to be attended, that we love them, but are we are working with the parameters of favor/debt relationships and neglecting the more expansive needs of friendship?
For many, for their family and friends, they cook them dinner, wash their clothes, give them love. They give food, clothes (although more often than not ones that are dirty), and love in return, making them happy by being their very effective wife/mother/friend (Nina Rosenstand points to the word ‘prostitute’.)
The favor-debt relationship is a model that is followed by amazing amounts of people, more than we realize, for it’s a tidy little model that is easy to follow. It doesn’t require much thought. No triage here. The formula is already set and like assembly line workers we follow it precisely so that our lives continue in a happy mode. Never an upset, never a crisis noticed. Except there is a crisis and upsets going on everywhere, deep inside the souls of our family and friends. For we are crushed when we are in need and who we need the most can’t be with us.
All relationships shift and alter through time and society’s impetus is to keep things from being messy, to keep things flowing easy, to have relationships be cut and dry, black and white, never a shade of gray, but that fact does not release us from our friendships.
I admit to being overwhelmed with fear when I am unable to respond to someone when I’m needed and it’s out of the priority sequence that mainstream society has for set up for me. I’ve dropped the ball before at a really crucial moment and nearly had a friendship end. It is a shame that never leaves me. It serves as a reminder to tell you and to show you how much your friendship means to me. So you will know that I am trying to be a human being, and that I want to love you like a human, the messy way, the real and deep way, and not as a robot programmed to love and do by formula. My friend, I love you beyond debt or favor.
- Mary McQueary.
The Dark Knight – Obviously
Christopher Nolan, as lauded as he is for his various films, is for me a director who, over the years, has mastered obviousness. Being mechanical may be his second, though slightly lesser, virtue.
For reasons strange, I seem to have seen most of his films, from Memento to the current film The Dark Knight, none of which seemed to hold any resonance for me. When I mention this to friends who love him, I am told the great work is his first film which I have not seen – The Following. Somehow, as unfair as it seems, I am sceptical.
My first foray into Nolan’s work was Memento, the clever but tediously mechanical film that goes backwards because it’s cool. As far as this format is concerned I much prefer Gaspar Noe’s Irreversible, however dubious its intentions may or may not be, and the fascinating Peppermint Candy by Lee Chang-Dong which uses the reverse-storytelling technique to evoke a life and a period in Korean history.
Insomnia, Nolan’s remake of the very interesting Scandinavian film with the same title directed by Erik Skjoldbjaerg, was just awful. While it tells the same story as the original, Nolan’s approach to the film leaves nothing to the imagination. The scene at the end, in which the young female cop gives Al Pacino her reason for not turning him in, is a hoot. It is also a scene that defines Nolan’s sensibility.
Next on the list was Batman Begins which I will not waste any time going into.
After missing out on Prestige (maybe the film I ‘should’ see) I girded my loins and bought a ticket for The Dark Knight, the latest Nolan opus.
To be fair, at a basic level it is quite entertaining and more watchable than his other films, definitely more so than Batman Begins.
However, my grouse is the obviousness with which he tells his story. There is no subtlety, the many themes he touches upon are thrust down our throats, things that would have been implied by better directors are verbalized by his characters in absolute terms, leaving no space for the viewer to commune with the film.
On the other hand Tim Burton’s Batman Returns, the best film made on the superhero, evokes its themes in a subtle way. The visual scheme explores the darker side, the otherness of the lead character, and the psychological complexities of the supporting characters, or if you prefer, the baddies. Each of them, be it Batman, The Penguin or Catwoman, all seem to have multifaceted and sometimes conflicting natures. There is a kind of reticence that informs their actions, however blatant they may appear to be. Each of Burton’s characters seems to carry within themselves a solitude and maybe even a sort of melancholy. Burton often seems to catch them on the wrong foot, making the film a much richer and more organic experience.
Burton seems to have mastered the art of evoking the outsider, a theme that runs through all his work. He has the skill to absorb his source material and create a work that reflects his internality and vision.
Nolan’s admirers and fans keep harping that he has succeeded in bringing Batman to the real world, reflecting contemporary global issues, but he is working within an art form, however commercial, and a work without resonance is nothing. In any case, the Burton film, though set in an unreal environment, deals with concerns that interest him personally, some of them mirroring society.
The late Heath Ledger works well within the film’s structure, and is often the reason that one stays interested in the film. I suppose there will be endless debates as to whether he or Jack Nicholson plays the definitive Joker. Taken out of their individual filmic contexts, it is a difficult question to answer. However, I feel Ledger’s performance adds to The Dark Knight whereas Nicholson’s somehow takes away, derailing Tim Burton’s Batman in more ways than one.
Maggie Gyllenhaal is effective, and it was a pleasant surprise to see Gary Oldman play a regular guy. In fact, I took some time figuring out it was him! Michael Caine and Morgan Freeman are, as always, untainted by any project, however banal.
Coming to Christian Bale, an actor who normally works well even in awful films like The Machinist, and whose work I’ve admired from the time he was a young boy in Empire of the Sun to Velvet Goldmine and the more recent I’m Not There ; Bale somehow falls flat here both as Bruce Wayne and as Batman. He lacks the complexity and the dark ambiguity that Michael Keaton brings to his interpretation. I believe, Bale has agreed to work on the next instalment only if Nolan directs. I hope he grows up and moves on.
As I mentioned earlier, the film is watchable, with the zap of the contemporary Hollywood flick, despite some dubious cross-cutting in the first part of the climax and a rather tiresome extended second climax with the Two-Face character.
One hopes that one day Nolan will graduate from being the Auteur of the Obvious to someone who understands the richer textures of cinema even if he continues to work within its popular idiom.
- Kiran David.
A Snail Mail’s Tale
There I was, an envelope, addressed correctly, stamps affixed properly. Deposited into a blue metal box I waited in the dark with hundreds of others like me. The wait wasn’t long as the next day a large man in a blue-gray uniform grabbed me and stuffed me into a hot leather sack.
The trip was bumpy and there were lots of stops. I was pressed hard against another envelope. I didn’t mind. She was pretty with barcodes and a clear window so I could see part of her payment coupon. She said her name was Bell. She winked and told me she also contained a check to the phone company. Ooo-la-la! This was going to be a nice trip.
We soon arrived to a large white truck and were rudely dumped out of our dark and cozy spot into a big white plastic box. The light of day struck my return label and I was blinded temporarily but within a minute the door was slammed shut and darkness again returned.
The next part I hardly remember, it went by in such a blur. I was tossed onto a conveyer belt and a large magazine fell on me. I could hardly breathe. But when we hit the metal roller rapids he shifted off of me and I could breathe easier and get a look around. Above and below me were lanes and lanes of postal highway. Depending on where you were headed, you were either lifted to the sky and then slid down a slide or transported horizontally through a portal. I was international mail and assumed that I would be exiting through the portal.
I saw Christmas cards branching away, turning around to blow kisses to each other, promising to write next year and tell each other how things were going. I saw stiff mortgage brokers’ and lawyers’ letters that wouldn’t bend even when the Victoria’s Secret catalog leaned against them. I was amazed at all the lives contained here and I was just in town! What laid beyond was a mystery and I was excited, anticipating the grand adventure of traveling out of the country.
Sure enough, I was sent through the portal and promptly stuffed into a knapsack. Quick transportation was made to the tarmac where I was thrown without a care into a plane’s cargo hold. The jet engines were loud. Above me I could hear the wheels of the stewardess’ beverage cart as it moved up and down the center aisle above us.
Our flight was long, giving me time to meet lots of letters. Everyone I met was nice. There was an old woman’s note with a fruit cake headed to Austria. A guy trying to track down an old military buddy. A young girl’s first pen pal correspondence. An older man asked me if I had seen any incoming mail. He was hoping that his message was not too late in getting there and that he wouldn’t cross paths with word of his brother’s death. I told him I had only seen outgoing mail and that I wished him Godspeed.
As soon as we landed the pace picked up once again and things really got hectic. We were transported to a huge building marked with official government seals and scary official signs declaring “No Hazardous Items Allowed”, “No Fireworks”, “No Talcum Powder of Any Kind.” A small cluster of baby announcements had started to cry. A Parenting magazine had stopped to reassure them that they would be alright. I couldn’t move, my envelope flap hung open in awe, it was the most amazing place I had ever seen.
Large florescent lights hung from the ceiling and the building was larger than a plane hanger. Metal roller conveyer belts went on for miles and piles and piles of post reached towards the top roof windows. I was terrified but figured if I was to ever reach my destination I had to be bold and go forth and get on. Hoping to make it into the hands of the person that I was addressed to, I courageously flung myself out flat and laid prone on the belts. The metal felt cool to my face and soon I was lured asleep by the sound of the machines.
It was hours later when I woke up in the dark, the machines stilled. There was a jam in the system and everything had come to a halt. A small bulgy package had come undone. The black lace bra it contained had tried to escape and had gotten entwined in the rollers. Her back hooks had snagged on a metal bracket. She was a goner. The packages around her were mortified. A Fredericks of Hollywood return address label indicated that she was the wrong size, that she had been unwanted.
“Apparent suicide,” the Fraternal Order of Police charity letter said matter-of-factly as he examined the envelope. “It happens sometimes with these kind. Not wanting to return to the manufacturer.”
“Move along, move along!” the novel War and Peace commanded, “There’s nothing to see here.” He began nudging some away from the incident. Everyone was visibly shaken. Many pressed themselves against each other in an effort to make sure their postage stamps and return labels were securely fixed.
Soon the machines started up again and though there was a reserved quietness, the feeling of anticipation again grew as letters contemplated their end destinations silently. After what seemed like an eternity I spied the large metal tank at the end of the building. Marked on its side in letters the size of a sequoia read the word, “Radiation”, and the yellow and red hazardous symbols glared at me ominously.
“Radiated? I have to be radiated? I didn’t sign up for this! I didn’t agree to be radiated! No, No!” I tried scrambling over stacks of junk mail. I tripped and slid down, landing on a pile of pizza coupons. “Nooooo!”
A coupon book of direct mail advertisers calmly reassured me that being radiated was painless, that unless you contained something biological and he gave me a questioning look. I was appalled. Biological? In me? They had to be kidding. I was clean. I was just a card.
“Isn’t there anyway I can get out of going through that?, that…” I couldn’t even make myself say the word and just stared at the ever looming silver metal contraption that I was sure would take the life out of me. “It’ll make my ink run!”
“It’s not a liquid“, reassured the direct advertiser. “You won’t even notice. The e-beam only takes about 10 seconds.”
A National Enquirer leaned over and whispered, “I heard that you could get a bit bleached from electron beams.” She glanced around and continued, “I don’t mean to spread rumors but I heard about this February Playboy issue that had her ends bleached and…”, she paused and sucked in her photos causing an effect like the mirror in a funhouse, the world’s largest fat lady turning svelte and curvaceous, “that her centerfold was found brittle!”
A Martha Stewart Living magazine who had been chatting with Rosie and Oprah’s latest issues overheard, stopped and turned to interrupt the tabloid, “That wouldn’t happen if she was properly wrapped in plastic. I will have to send her a card telling her how. I have the perfect method. It’s a good thing.”
“Martha, would you mind sharing that secret with us? as enquiring minds want to know.” Soon newspapers were huddled around for an impromptu press conference. An 8-mm tin containing a NPR news report mouthed to me from behind them, “Don’t worry, it happened in New Jersey!”
“If it would make you feel better, tuck yourself in my pages,” said the advertiser. Feeling very exposed, I figured it wouldn‘t hurt and I slid inside. His pages felt smooth and the ink was comforting. Pretty red words offering carpet cleaning and dog grooming. The dog door flap to the radiation area was approaching. My heart was racing but I was determined to do this. Inside we went. The air was stiff and humid and felt toxic. And that’s when it happened.
At first I felt a slight jerk and then a snap back that would open even a manila envelope with a brass closure. The pages of the direct mailer that I laid between fell between the conveyer belt loops and now I was caught in it too! “Help! Help!” I screamed. Post continued trampling over us. The pages screamed. They had dangled so far down into the machine that they were being shredded. “Please, somebody help!” I couldn’t wedge myself out of their grasp and they were being slowly pulled deeper into the machine. I lifted my envelope flap and attempted to attach myself to someone going by but my stickiness was drying fast. I wildly looked around for anybody, anything, hoping that I could find some way to extract myself. I looked around, frantic, desperate. I saw a sign hung high above. It was the last thing I read. SURE BEAM, Ohio.
- Mary McQueary.
Disclaimer:
No paper products were in any way harmed in the creation of this story. This is a work of the author’s imagination and does not portray an actual event. Any similarity to an actual event of the past or future is purely coincidental.
Patalghar : A Second Chance
My fear is that Patalghar the Bengali film directed by Abhijit Chaudhuri a.k.a. Dadu is slipping thorough the cracks of time. That is an unfortunate prospect for a film which is worth discovering and re-discovering by cineastes all over the world.
The film seems to defy categorization and exists as many things at once, each battling with the other, a science fiction tale, a children’s fantasy, a comic book film and most importantly, a tale about the loneliness of childhood.
Patalghar is based on a sci-fi story by the Bengali novelist Shirshendu Mukhopadhyay. Though I’ve not read Mukhopadhyay’s story in Bengali, I can sense that using the storyline Dadu has created a world that is uniquely his, full of the mysteries of childhood.
Released in 2003, if I’m not mistaken, during school exams and cricket world cup, it lost a large chunk of its potential viewers despite decent to good notices.
The film exists in two time zones, one in the past where an eccentric, all-encompassing and enlightened scientist Aghor Sen [Soumitra Chatterjee] invents a device which can put people to sleep for 150 years, and the present where the protagonist, the young boy Kartik [Sourav Banerjee] inherits the property – a place where the two time zones converge – belonging to the scientist which has within its premises the secret of that invention.
Thrown into the narrative are a whole bunch of characters who aid and act as deterrents to Kartik’s journey of discovery.
More than the story, which I enjoyed, for me Patalghar works as an exploration of the feelings and the world of a child, his love of mechanical devices (a disappearing trait among today’s children, thanks to games spawned by virtual reality) his expectations, his yearning and his loneliness.
I have always viewed the film as a kind of pilgrim’s progress for Kartik whose journey through the narrative makes him aware of some of life’s lessons.
This however does not mean that this is a dour film. On the contrary, it’s a delight and living proof that one can make a rollicking film within the format of the Indian mainstream cinema. Full of oddball characters with comic book sensibilities, delightfully outrageous sequences and marvellous over- the-top performances within parameters that make it work wonderfully and not fall over the precipice. Special mention must be made of Kharaj Mukherjee as Kartik’s uncle Subuddhi and Manu Mukherjee as Gobinda Biswas. Mita Vasisht, the one time art-house favourite, virtually reinvents herself as the Begum. The supporting players too are a treat.
Joy Sengupta playing the current day scientist does however seem a bit out of sorts, thankfully Bauddhayan Mukherji’s dubbing with suitable inflection just about keeps him afloat.
As for young Sourav, it’s refreshing to see a kid who looks and feels like a kid unlike those synthetically bred cretins that populate the bulk of mainstream Indian cinema.
I also like the fact that the film is so deeply rooted in its socio-cultural ethos despite the comic book sensibility that informs it. Though not a Bengali, being married to one and friends with many, I could get some if not all of the nuances which enrich the already pleasurable viewing experience.
Some admirers of the writer feel that his story has been given short shrift by the filmmaker, but I never look at directors as slavish cross-media translators, rather as artists who take their inspiration from any source and create a world unique to them, and Dadu does just that. There is much of the filmmaker’s personality invested in the film. Those who know Dadu personally can sense how he has delved into his own life when fleshing out Kartik’s.
As much as I love the film, I wish that the opening scene in the film was less stilted, but in the long run that is just a minor quibble.
Mention must be made of the technical crew – Abhik Mukhopadhyay, the cinematographer, who has given the film its unique visual texture. Always a good cinematographer, his partnership with Dadu brings out the best in him; Arjun Gourisaria, who is probably the best editor in the country though he himself may deny this and not believe me. I have had the pleasure of seeing him at work. He brings a rare intelligence to the process that goes beyond the mechanics of editing. Debojyoti Mishra, whose music works wonders for the movie. Great art direction by Indranil Ghosh, especially considering the miniscule budget the production house Black Magic had for the film. Ghosh crafted the décor with whatever scanty resources were at hand and gave it a look and feel that worked.
Finally, I tip my hat to Dadu who has directed this delightful work and managed to transform the raw material into a unique vision – a world of his making. He fills us with the hope that one can bring in an artist’s personality even while using popular, mainstream idiom. Besides directing, he has written some of the lyrics and been instrumental in the art direction and visual texture of the film. One eagerly awaits his next work.
In conclusion, I hope that Patalghar gets a larger audience, the sooner the better. It saddens me that while soulless, glossy productions like the Harry Potter series become a rage, true gems like Patalghar don’t reach the audience they deserve. I have to say that despite their scale, technical finesse and money power, the Harry Potter series can be likened to dog shit in a pothole, lacking both vitality and imagination. Perhaps, it’s time for a Patalghar re-release?
- Kiran David.